Will be explained further in connotations In the first stanza, his tone is an edged romanticism. Clearly, one cannot live to such an age. Let us roll our strength and sweetness together, And tear our pleasure with rough fight, Our energy can run through the iron gates of time. In the second stanza, he is more threatening. The speaker states that although they do not have the ability to control time, they do have the ability to control the variables of their death i. For Lady you deserve this state; Nor would I love at lower rate. Analysis of To His Coy Mistress by Andrew Marvell Andrew Marvell's elaborate sixteenth century carpe diem poem, 'To His Coy Mistress', not only speaks to his coy mistress, but also to the reader.
As you can see, the argument builds up through the three sections of the poem, starting off with the speaker's assertion that the lady's coyness shyness, modesty wouldn't be deemed a moral crime if they had all the world in which to spend time together. It allows the reader to get into his mind as the poem goes along. The second part of this line makes searching for rubies into a leisurely activity. The speaker's tone starts to alter, becoming more serious. Marvell, uses time in an attempt to manipulate his coy mistress. The logical form of the poem runs: if. If he were truly in love wouldn't he be proposing? He is starting to become less and less patient.
In addition, the speaker employs paradoxes within his message to the mistress. He doesn't want this slow-grown plant love. Although Marvell tries to equate his love for his mistress to plants, his argument is undermined by a plant? On the first read I thought it was a love poem, but the more I read it the more I feel it's a lust poem. On the first read I thought it was a love poem, but the more I read it the more I feel it's a lust poem. Alliteration brings texture and altered phonics to the line and challenges the reader.
I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews. Gone are space and time and death, in their place is the all-consuming present. He is now on the verge of total desperation. His love would grow larger slowly. Usually people have different feeling after they read a same poem. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. But this little moment of pure happiness does not last long; he is to come back to this world again.
His words go through a big change. Marvell simultaneously suggests to the reader that he or she should act upon their desires as well, to hesitate no longer…. Metaphysical Poetry Looks back on ones life Reflects It has to do with the existance of life Metaphysical poetry asks What is out there? Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. For, lady, you deserve this state, Nor would I love at lower rate. First, because I have no money to finance one and second, I love my wife so much that I cannot betray her trust. To His Coy Mistress - Influences Mortality and desire were popular themes with poets in the 17th century. To His Coy Mistress is Andrew Marvell's best known poem.
The mistress and her husband finally made love during their youth. Some women could be thought of when this is read. A poet is a simple man like other common human beings. It was first published in 1681, in Miscellaneous Poems, three years after the death of the author. The addressed will begin her counter argument by stating that the speaker is too much of an intrusive and vulgar man.
It manages to carry along on simple rhyming couplets the complex passions of a male speaker, hungry for sexual liason with a lady, before all devouring time swallows them up. Don't look over your shoulder. This is the primary reason I believe it is most suited to be in a college textbook. If the girl does not like you and despite knowing you insist and move forward with your advances through seduction like the poet, she'll probably slap your face. Making the assumption according to the poem, he was successful at seducing his wife. The first Stanza shows that the space and time are eternal.
Andrew Marvell was a metaphysical poet writing in the Interregnum period. This is one of the first poems I read by Marvell and from the very beginning I was impressed by the musicality of his verse. However time can also eat him instead, and this makes him want to be rid of it. In contrast, the speaker dwells in the tides, which conjures images of movement and danger. We should persuade what we love or like right away or that will be a pity.
Here abstract ideas, as example of metaphysical conceit, are expressed through concrete images. With theme of carpe diem that actually started with Horace's Odes written in 23 B. The second of the rhetorical strategies used by the speaker are metaphors. The guy has lost all patience at this point. It seems that the man was eager to get the sexual relationship with her, but he didn't show any signs of love before he proposed the request.
The metaphor of deserts and the use of the word eternity help to convey a sense of hopelessness. The speaker was successful at his argument and seduced his wife, and she finally surrendered her virginity to him. I am not a girl, but if I was, that guy would have just lost me. The intense imagery of genitalia is again echoed when Marvell describes to his coy mistress that even after death the? Summary in Tweet form: Time moves so quickly, so lets stop messing about. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. He is trying to be smooth about it, but in the next stanza we begin to see his patience giving out. The speaker thus imagines his experience in the garden as a paradisal return to Adam's perfect knowledge of creation.