Such a lady named Desdemona, who was supposedly cheating on a guy whom he once fired. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Which was the number one technique, and from gaining their trust he could branch off form that and then he could manipulate the people he was playing into thinking that he was on their side even when he might be on the opposite side. I would be more than happy to help you with your homework. He had a unique way of putting things into words.
And have we not affections, Desires for sport, and frailty, as men have. In act 1 scene 1, Iago starts to manipulate Othello straight away. Iago has poisoned his mind and ruined his judgement. Iago deceives virtuous, yet weaker men such as Cassio and Roderigo with ease, but feels greatly threatened by the most powerful, virtuous general in the land - Othello. Iago finally gets his revenge. Othello's right-hand man is Iago; on the surface a die-hard friend and confidant, in reality comparable to the devil himself.
The design of the play is for Iago, alone of all the characters of the play, to broach the allegorical tenor of the characters of the morality play. Treating the subject of personal human relationships, the tragedy which should have been a love story speaks to both reading and viewing audiences by exploring the archetypal dramatic values of love and betrayal. Roderigo sees Iago as the man who will help him be with the woman of his dreams, but instead; Iago plans to get rid of Roderigo as soon as he stops being useful to him. Cassio appears and again pleads Desdemona to meet with Othello and plead for his reinstatement as lieutenant. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. All three are linked to one another and talk to and about each other.
Iago is the antagonist character of the play Othello. Iago's last words in the play tell us of his unlikeliness to realize the wrongness of what he did. Othello's breakdown results in the murder of his wife Desdemona. His evil is exposed through his choice of words, his ability to manipulate people, and his opportunistic ways. Confidentially Iago continues his plot successfully, making fools of others, and himself being rewarded. Iago managed this by using rhetoric in his manipulation.
Iago is a sure example of a person who did not get what he wanted, so he felt the need to destroy and manipulate everybody around him in order to get his revenge on Othello. When Iago offers exactly the same rationale in a parenthesis for his willingness to destroy Cassio, the signal is reinforced that Iago's motives are not really part of the design of the play. It was a complete accident that Desdemona lost her husbands token of love but it was of course Iago's manipulation of his wife that resulted in it being obtained by Iago and used to bring about the downfall of Othello's marriage. He holds everyone that is important in his plans in the palm of his hand and he does with them as he so wishes. Roderigo gives money to Iago in the mistaken belief that Iago is using his money to help him get to Desdemona, but Iago is using it to finance his own plan. He got Cassio fired, got the hanky that Othello gave to Des. He is greedy for power and is jealous of Cassio for being promoted above him, and will do anything to stop Othello and Cassio.
Iago manipulates everyone in the play, because he believes that Othello slept with his wife, but no evidence is provided of this in the play. Only after she is dead, Desdemona is proven innocent. He is calm and convincing yet still somewhat suspicious. Iago also manipulates the undeserving devotion that Emilia shows him. Iago anticipates and manipulates the other characters so skilfully that they seem to be acting simultaneously of their own free will and as Iago's puppets.
Perfect people do not exist in this world of temptations, failures, and suffering. Everyday people use proof as a part of reason; it has been used to turn a hypothesis into a theory, a rumor into fact, without proof we would have nothing. In fact, every person has weaknesses, and there is always a possibility that someone will use those feeble points against that man. Iago is not only an ingenious villain but also a manipulator with the utmost skill. Iago tricks Othello by making him believe that every seemingly harmless encounter between Cassio and Desdemona are actually lies and that they are seeing each other behind his back. And thus, with this sole shred of proof, that Othello does not even see himself, Iago has completely bent Othello to his purpose:? Iago creates hatred and jealousy in Othello, tricks Cassio and makes a fool of Roderigo.
Iago knows that this can cause Cassio to get fired. Just as the play replaces the security of peace with the anxiety of domestic strife, Othello replaces the security of his marriage with the hateful paranoia of an alliance with Iago. Iago uses various methods to manipulate the characters. Iago's poison pours on to Othello's mind and makes him to be manipulated by the enemy. Othello jumps quickly into conclusions and finally kills Desdemona and himself that satisfies Iago's desire of revenge. He uses his skills on the stupid and naïve Roderigo to get revenge on Othello. In this rage, he orders Iago to have Cassio killed within three days, promotes Iago to the position of his lieutenant and tells Iago of how he will kill Desdemona for her treachery.
No other character can even come close to his evil Iago: The 1. He is the leader of the Venetian forces. All of his plays, sonnets, and poems have gotten great recognition. He makes them act in ways that benefits his plan of destroying Othello by making him believe that his wife, Desdemona, is having an affair with his lieutenant, Michael Cassio. The planting of false evidence, specifically the handkerchief, represents the difference in social classes: Othello comes from a military background, and a handkerchief, usually woven from fine materials, is a foreign item to the social class of Othello, but not Iago or Desdemona. Iago plots with consummate sophistication, carefully manipulating Othello without any real proof into believing that Desdemona has been unfaithful.