The couple is sitting in front of the small, old-fashioned yet charming cottage, where they are going to live in future as a family. Many of his poems are powered exclusively by imaginative flights, wherein the speaker temporarily abandons his immediate surroundings, exchanging them for an entirely new and completely fabricated experience. And what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all? And watch the clouds, that late were rich with light, Slow saddening round, and mark the star of eve Serenely brilliant such should Wisdom be Shine opposite! The beliefs of Pantheism differ from those of Christianity. However, Coleridge changed his own beliefs about inspiration after 1800; he no longer held to the symbol of the Eolian Harp, but rather felt that the mind should be compared to an instrument such as the violin, which made lovely music when 'played on by a musician of genius. And what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all? This powerful feeling was the inspiration for poetry. Unlike the speaker, the son shall experience the seasons and shall learn about God by discovering the beauty and bounty of the natural world. The form is lyrical as it deals with a mans thoughts and emotions but it is often written in a conversational style, The end of each line needs and makes more sense once the next line has been read.
He writes: 'But thy more serious eye a mild reproof d arts, O beloved Woman!. This implies that the song played is a simple one, giving the impression that it is a song easy enough for everyone to learn and follow. This poem reveals differing spiritual viewpoints between the two that may have contributed to their marital problems. Poets are very particular about their words and it is more than coincidence that, at the moment Coleridge praises his god, he introduces a rhyme on the word Him. To Coleridge, nature contained an innate, constant joyousness wholly separate from the ups and downs of human experience. There is now a change of idea in the poem. According to Neoplatonism, the first step in reaching the spiritual ecstasy--that state in which the soul is momentarily liberated from the flesh and reunites with the One--is a kind of contemplative quiescence or forgetfulness of body.
Coleridge uses the first stanza of the poem to set the scene, in which Coleridge and his fiancé, Sara Fricker, are together observing nature. Some force in nature, just like the harp, produces the creative inspiration that sweeps through his thoughts. This sudden stop and silence seems a perfect way to introduce the main theme as from this point on Coleridge talks about the Harp that is to dominate the tone of the poem until the end of the first verse paragraph. And that simplest Lute, Placed length-ways in the clasping casement, hark! Coleridge is writing that the meeting between God and humans makes a person spiritually aware and motivated by the things God has created. The Eolian Harp by Samuel Taylor Coleridge: Analysis The Eolian Harp published in 1795 has been called 'the most perfect' of Coleridge's early poems. The poem begins and ends with a reference to Sarah Fricker.
The poet compares the music of the lute with the light protestations of a shy young girl, objecting to her lover's embrace and yet yielding to his solicitations. All creative music or inspiration came from outside the instrument, just as all creative power came from outside the poet in some sublime way, much like the Greek muse. The two lovers are watching the clouds which, a little while ago, were shining with sunlight, but which are now darkening In the opposite direction the evening star is serenely and brilliantly shining. Many spontaneous and uncontrolled thoughts and many idle fancies pass through his idle and Passive mind. It moves from the tranquil beauty of the cottage at Clevedon to 'all of animated nature', from the simple lute clasped in the casement to a Paradise FairyLand, from an intuition of life's oneness to personal confession of weakness and a need for religion. This is a kind of musical instrument, which gives musical sound when the wind blows across its strings.
It is a gift from God of high value. In stanza four, Coleridge uses a metaphor, calling all of nature 'organic harps diversely framed. He goes on in line 5, describing the white Jasmin flowers and the leaved Myrtle, as being Innocence and Love. It pours such sweet upbraiding, as must needs Finally, I see the harp as represnting the subconscious, or the imaginative part of the brain, and the wind being the voice of the poet. And now, its strings Boldlier swept, the long sequacious notes Over delicious surges sink and rise, Such a soft floating witchery of sound As twilight Elfins make, when they at eve Voyage on gentle gales from Fairy-Land, Where Melodies round honey-dripping flowers, Footless and wild, like birds of Paradise, Nor pause, nor perch, hovering on untam'd wing! In another passage of the poem the poet says that all the objects of this living universe may be regarded as organic Harps of different shapes and sizes. There are obvious lines in this poem that raise nature above the traditional sense of nature in mainstream Christianity and shine nature and God in a Pantheistic light. This intuition of life's ultimate wholeness and oneness, which is of absolute importance to our understanding of all Coleridge's poetry, is re-affirmed in the four magnificent lines that were later added to the poem: -0! There is silence all around and the quiet murmur of the distant sea indicates how profoundly silent is the world at this time.
For the harp being now symbolic of the poetic mind itself, the Romantics recognized it as being an actual self-contradiction on their part. Considering the English Romantic's assessment of the powers of Nature, it is hardly surprising that he should thus identify his own mind with a musical instrument so respondingly sentient to stirring winds. It illumines all sounds and gives the power of sounds to all light, which makes all thoughts rhythmical. On the cusp of marriage, Coleridge addresses his intended, Sara, and relays his excitement for his pending nuptials. In the third stanza, we again see the speaker Coleridge addressing Sara, and calling back to his mind a nap had by him while he was sitting with his fiancée, and enjoying the Seaview that afternoon. In the next stanza the poem quickens pace and the intensity of his curiosity grows.
The power of imagination transforms the prison into a perfectly pleasant spot. It is a Romantic poem as it deals with a mixture of traditional Romantic themes: those of strong feelings, the importance of the imagination and the idea of the sublime, and the natural world. How exquisite the scents Snatch'd from yon bean-field! The poet says that it is impossible for a man not to love all things in a world which is so infused by the Divine Spirit; where the breezes seem to be singing, and the silent, motionless air is like music sleeping on her instrument, and ready to wake up any moment. His pantheistic ideas are as short-lived as bubbles of water that are formed and instantly destroyed on the fruitless fountain of philosophy which is noisily flowing forever. In this poem also Coleridge says that the lute is lying lengthwise in the window.
The form is lyrical as it deals with a mans thoughts and emotions but it is often written in a conversational style, particularly in the first verse paragraph giving it an informal, simple feel:to sit beside our cot, our cot overgrown l. The imagery in this poem is rather remarkable. His usage of the literary elements such as capitalization, allusion, enjambment, etc. Symbols The Sun Coleridge believed that symbolic language was the only acceptable way of expressing deep religious truths and consistently employed the sun as a symbol of God. It is a Romantic poem as it deals with a mixture of traditional Romantic themes: those of strong feelings, the importance of the imagination and the idea of the sublime, and the natural world. How by the desultory breeze caress'd, Like some coy maid half yielding to her lover, It pours such sweet upbraiding, as must needs Tempt to repeat the wrong! I think it reveals a lot about Coleridge and his philosophy.
It's as if he is saying, 'I must just believe this, and nothing more. Line 14 makes reference to the lute, a stringed musical instrument. The fairies walk here and there in a wild and wayward manner like the birds of Paradise. This sudden stop and silence seems a perfect way to introduce the main theme as from this point on Coleridge talks about the Harp that is to dominate the tone of the poem until the end of the first verse paragraph. The affect of this is that it gives a history to the thoughts and feelings previously expressed.